K+Y = Comtemporary art galery

Didier Fournet

• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 

• 

  Paris Pont Alexandre III, 2015

  Photography, diasec and aluminium frame
  43 x 43 in
  Signed and numbered
  

• 

  Saint Tropez 12, 2015

   Photography, diasec and aluminium frame
  51 x 51 in
  Signed and numbered
  

• 

  Plage du Cenitz Guethary, 2015

   Photography, diasec and aluminium frame
  39 x 79 in
  Signed and numbered
  

• 

  NYC Sky Line Hudson River, 2018

  Photography, Diasec and aluminium frame
  51 x 51 in
  Signed and numbered

• 

  NYC Sky Line Full Manhattan Hudson River, 2018

  Photography, Diasec and aluminium frame
  35 x 106 in
  Edition of 15 
  Signed and numbered
  

• 

  Brésil Rio Favela Rocinha, 2015

  Photography, diasec and aluminium frame
  39 x 58 in
  Signed and numbered
  

• 

  Paris Quai de Grenelle, 2015

  Photography, diasec and aluminium frame
  24 x 79 in
  Signed and numbered
  

• 

  NYC Brooklyn Bridge 10, 2018

  Photography, Diasec and aluminium frame
  51x 37 in
  Edition of 15
  Signed and numbered
  

• 

  Paris - Quai aux fleurs, 2018

  Photography, Diasec and aluminium frame
  51 x 51 in
  Edition of 4 + 2 AP
  Signed and numbered
  
  

• 

  Rio - Forêt de Tijuca

   Photography, diasec and aluminium frame
  70 x 99 in
  Signed and numbered

• 

  NYC Times Square, 2018

  Photography, Diasec and aluminium frame
  51 x 37 in
  Signed and numbered

• 

  Plage de Deba, 2015

   Photography, diasec and aluminium frame
  43 x 43 in
  Signed and numbered
  

• 

  Saint Tropez - Voiles Latine 09, 2016

   Photography, diasec and aluminium frame
  51 x 51 in
  Signed and numbered
  

• 

  Pont au Change, 2017

  Photography, Diasec and aluminium frame
  59 x 118 in
  Signed and numbered

• 

  Pont de l'Archevéché, 2016

  Photography, Diasec and aluminium frame
  59 x 118 in
  Signed and numbered

• 

  Chine Shanghaï #19, 2015

  Photography, diasec and aluminium frame
  47 x 28 in
  Signed and numbered
  

• 

  Place Jemaa el Fna #1, 2016

  Photography, diasec and aluminium frame
  63 x 63 inches
  Signed and numbered
  

• 

  Plage de Barre de Guaratiba, 2015

  Photography, diasec and aluminium frame
  51 x 37 in
  Signed and numbered
  

• 

  NYC Gotham City, 2018

  Photography, Diasec and aluminium frame
  70 x 70 in
  Edition of 5 
  Signed and numbered
  

• 

  Paris Jeu de Paume, 2015

  Photography, diasec and aluminium frame
  39 x 79 in
  Signed and numbered
  

• 

  Paris Tour Eiffel 5, 2016

   Photography, Diasec and aluminium frame
  39 x 79 in
  Signed and numbered

• 

  Jardin des Tuileries, 2016

   Photography, Diasec and aluminium frame
  39 x 79 in
  Signed and numbered

• 

  NYC Brooklyn Bridge 3, 2018

   Photography, Diasec and aluminium frame
  70 x 51 in
  Signed and numbered

• 

  Paris Tour Eiffel 5, 2016

   Photography, Diasec and aluminium frame
  39 x 79 in
  Signed and numbered

• 

  Notre Dame de Paris, 2012

  Photography, diasec and aluminium frame
  39 x 55 in
  Signed and numbered
  

• 

  Paris Ile de la Cité, 2017

   Photography, Diasec and aluminium frame
  71 x 99 in
  Signed and numbered

  Didier Fournet is a contemporary "painter" thanks to photography: he has chosen pixels instead of brushes and now reveals the beauty of the world by turning landscapes into vibrations.

His digital Hasselblad offers the possibility to play with the depth of fields and to manage the time. Since his youth, the artist has been inspired by various photographs like Gurky and Lachapelle. He found his style and a personal strategy to overcome the passage of time.

After Kubrick's odyssey and before Interstellar and its irradiated images reflecting the curvature of space-time, the young photograph folds and pastes his pictures on his computer in order to propose a new measure of time. Farewell to 60 seconds or 60 minuts: even the shutter speed is controlled with his stopwatch, definitely set to the human clock, less institutionnal. You do not notice it immediately, but parisians and tourists did not all meet on the Pont au Change or on the banks of the Ile Saint-Louis. Didier abolished this missed appointment and undoubtedly transformed the fate of the lives sliding on the cobblestones of the French capital.

Through further conversations out of time, his soul develops his feelings and the leaves of the trees, the arms of the passersby or the roofs of the city merge in an evident vibration.

Thus, Didier Fournet manages to colour buildings of the Quai de Grenelle, as if they had been caressed by the rays of a summer sunshine and, in the same time, covered of lime by a full moon.

The "VIBRATIONS" by Didier Fournet are artistic, graphic, colorful and dreamlike representations of a world in perpetual evolution, from its most trivial transformation up to its deeper structural upheaval.

Originally, a city, a landscape, a place, emblematic or not, which the artist reinvents for a new blossoming world is emerging as a result of a work of abstraction, originating from a contemporary reality never completely erased within each image. Every "Vibration" sends us to the limits of reality and of the virtual.

I like that my "VIBRATIONS" open the debate on a different world, new and nevertheless familiar...

Didier FOURNET